Luigi: The Story Behind the Story by John H Richardson – Understanding a Criminal?

On December 5, 2024, a leading publication ran the headline “Insurance CEO Shot Dead In Manhattan”. The report went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then calmly departed the scene”. The murder in broad daylight was truly cold and shocking. But numerous US citizens had a different response: for those who had been denied health insurance or struggled with medical bills, the news felt like a release. Online platforms erupted. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”

Five days later, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania alumnus with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with the district attorney seeking the death penalty. So who is Mangione? And what drove the accused offense? These are the questions John H Richardson attempts to answer in an inquiry that explores broader themes, too.

Understanding the Person

A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, producing articles about people “plagued by genuine concerns about an end-times scenario”. To uncover “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on a reading platform”. Their content covered climate change to masculinity, along with a “focus on his own personal growth, both physical and mental”. Furthermore, Richardson sifts through his correspondence with online personalities and authors as well as his many posts on social media. These primary sources, intended to depict a picture of Mangione, instead render him an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “deny” and “depose”, engraved on the bullets left behind at the crime scene. These are the terms sometimes used by health insurance companies to reject claims. He examines the evidence Mangione suffered from a long-term spinal issue, which could have been a reason for an attack, but finds no proof; instead, what meaning there is seems to lie in Mangione’s existential anxiety about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to ultimately either take control, or eliminate humanity, or both.

Missing Pieces

Conspicuous by their absence from the book are conversations with the key individuals. Richardson asked, of course, but did not anticipate access to Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the press in prior to the trial. Another flashing-yellow omission is any detailed data about the victim, Thompson, though we learn that under his leadership, from the early 2020s, UHC profits increased by 33%.

Ambiguous Findings

By the conclusion, the audience has little insight of Mangione’s personality or what might have motivated his accused actions. More troubling, Richardson’s apparent empathy for him gives the reader the uncomfortable impression of having been exposed to a veiled endorsement of an assassination. In the book’s final lines, Richardson delivers his fairytale assessment: “We’ve entered a era of stories, the mad king, the beast in the labyrinth and the emperor without clothes.” In that fable “outlaw heroes come with a beautiful promise … They arrive in periods of unrest, when the people are suffering and nothing makes sense anymore.”

One thing is certain: as Mangione’s legal representatives works to have charges that could lead to the ultimate sentence thrown out, any mention of fables, Robin Hoods, heroes or villains will not be allowed in court in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Susan Acosta
Susan Acosta

Tech enthusiast and writer passionate about emerging technologies and their impact on society.